Somewhat to my surprise - this blog has been going for eight years and over 600 posts.
Despite occasional protestations to the contrary, it's has remained as it started - a personal space for me to write about whatever felt like a good idea at the time. It's always been a zone of freedom rather than something I had to do for this, that or the other reason.
Ultimately, that accounts for both its persistence and its lack of (a single) focus.
For a while now, I've toyed with the idea of going back through the blog, picking out a representative set of posts and editing them into a small compendium for an probably imaginary audience.
This seems like as good a moment as any to look back and see what stands out. So in the next few weeks you'll see this post gradually expand as we look at each year in turn, starting (yipes) back in 2010.
Reviews (mainly books and music with a side order of cinema) have tended to dominate, in as far as anything has. Its a form I feel at ease with going right back to my dabblings in student journalism and lends itself well to short updates. But they can - and for me often are - a way of approaching the personal from a flanking position too.
Alongside these reviews you'd find over the years a whole kitchen sink of thoughts on the above plus politics, activism, organising and even the odd (in both senses) attempt at poetry.
Taken together - who knows - they might even amount to a coherent position?
This is where it all started and it's a bit tentative. There's really only three contenders for inclusion in any compilation and they'd all need a bit of work.
- A rather nice, if short on full sentences, exploration of how magic might work in an eighteenth century fantasy.
- A rough transcript of a talk I gave at Lewisham Unitarians about the need to go beyond 'mere tolerance' of others' beliefs and work towards a positive appreciation of difference.
- An overly florid review of Inception, which either needs half the adjectives and adverbs removing or extending to twice its current length. Either way, it needs to be much less dense.
Ah! Now it starts to get more interesting.
The book reviews start to pick up, with takes on China Mieville's Kraken, Roger Zelazny's Lord of Light and Stephen Donaldson's Covenant Chronicles (the last an expansive take in four parts over a particular quiet December)
Part 1, Part 2, Part 3, Part 4
I really, really, really didn't like fantasy parody Your Highness (but then it only scores 28% on Rotten Tomatoes, so this may be shooting fish in a barrel). I preferred Thor, or at least my alternative mumblecore reading of Dave Thunder's adventures.
It's short, but I remain taken with a piece of Hercules And Love Affair and the politics of dancing.
Also - the blog exhbits first signs of a recurring annoyance with nostalgia (heavily indebted to Simon Reynolds Retromania) in a review of Plush's album Fed.
We're now getting up to 60-odd posts a year. Granted, a lot of these are photos, quotes and Christmas doggerel, but still - 60 posts!
2012 was when my interest in metal really flared up (I blame living in Birmingham) and I wrote a series of posts trying to
How I learned to stop worrying and love metal. Sort of.
Token anti-nostalgia post - being grumpy about the Heartbeat tourist industry in the North Yorkshire Moors
Of course in no way contradicted by posts on teenage favourites David Eddings, Julian May
and Sheri Tepper.
A review of early Tanith Lee is also interesting for being a first crack at praising the strangeness inherent in much of the best fantasy, despite how much Eddings and his imitators try so squeeze it out. It's also a reminder of how often I misspell 'weird'.
I'm still rather pleased with my idea of 'thresholds' - curated augmented reality spaces - even though I've yet to do
The first of two prolific years.
As an outsider exploring the margins of metal I continued to turn up gems - it's this year that the love affairs with Alcest (AKA the black metal Nick Drake) and Ulver started.
In a more polemical mode though I suggested that Terrorizer magazine might want to take a stronger stand on racism (which in turn prompted further thought on how far an artist's politics could be separated from their art)
Lovecraft and his buddy Clark Ashton Smith, as well as Michael Moorcock's Jerry Cornelius, all get a look in on the weird fiction front.
Other genre fiction reviews of note included Spider Robinson's Callaghan's Crosstime Saloon, Robert Silverberg's Lord Valentine's Castle and Patrick Rothfuss' The Wise Man's Fear.
I didn't often write about non-fiction but this piece on Richard Wilkinson and Kate Pickett's The Spirit Level is pretty good.
I also managed to review both The Hobbit and the first of the Jacksonian cinema trilogy, as well as getting a surprising amount of material out of the morality of force while reviewing Olympus Has Fallen, Iron Man 3 and Prisoners.
Still true: too much Twitter outrage makes me want to look at cat pictures on the internet (there was a follow-up post in 2014 about tweeting in a trolling paradise)
Token anti-nostalgia post: dismay at the NME's top 10 albums of all time (and postscript)
This year's ideas I didn't do anything much with: mapping a cartography of hope and festivals as neartopian spaces.